Janet Fitch Essay

Over the years, Janet foulmart has enjoyed wider and more diverse audience. Her kit and caboodle were appreciated by critics, regular readers and stock-still by celebrities. One of the popular followers of Janet foulmart is the celebrity idiot box show host and philanthropist Oprah Winfrey who fell in love with Janet skunks works particularly etiolate rose bay, a story which, tally to Oprah herself, is something that moved her (Oprah Talks to Janet foulmart 2).But the power of foumarts works is appreciated even by universal mortals. One of the precise good examples illustrating this fact is the numerous comments among readers and prospective readers found in the Amazon. com segment for cay It low. The readers/bloggers also pointed to the fact that the stories depict a certain naughty degree of substantialism in comparison of unfeigned life and the story.It was enveloped in a wide range of emotions (Hughes 4), a sense of coatingness to real life that others descr ibe as stories told by characters, the story and the characters both plangency with authenticity (West 2) While other critics believe that the talent of Fitch involves the installation of characters which possess distinct and believable characteristics typical of an ordinary human individual (Ginsberg 4). Janet Fitchs works is considered as praiseworthy and nonable by legion(predicate) critics.One of the reasons why this is the case is because of how Janet Fitchs works transcend the literary realm and doctor real life. The lessons and realizations derived from her works atomic number 18 constructed in a rule that maximizes and optimizes the ability of the works to touch the senses of the readers by dint of Fitchs discussion of life, death and finding lifes paths (not before losing the sense of direction first) in her works, particularly in the whitened Oleander and cay It Black.An essential approach that Janet Fitch takes in tackling the issues of real human life, that mak es her works and stories appreciated by the readers and touches the emotions of the readers, is her use of contemporary mountain (or close to contemporary setting) and tackling about issues that almost every individual is open to suffer or is always suffering. The readers are more attached to the stories that Fitch paint.There are many cases that the aspect of life as tackled by Fitch through her character are issues that are seldom turn to by society and issues that many individuals are easily vulnerable to, wrap up it up around a very worked up life not just for the protagonist but also exposing the depth of the serious steamy vein found in other major and minor casts in her stories. For example, the White Oleander is a work that breaks off from the traditional intent good reading that gives readers an escape.Through the White Oleander, Fitch does not come through escape from reality as fairy tales do, but instead, remind the readers of the cordial problems and real life as reflected in White Oleander and its characters, a story described by Laura Miller as something that is no cock-and-bull story (Miller 1). The impact of the stories Janet Fitch wrote is centered largely on realizations which readers often idler uphold to, particularly during the realizations happening in the end or close to the end of the story.It is an aspect of Janet Fitchs writing style and design which is considered by some readers as one of Fitchs strengths as an effective writer (West 1). One of the prevailing realizations about life is how the characters lastly end up getting enough courage to face the ult and the present. This was the case of Astrid in White Oleander and the case of Josie in Paint It Black (Hughes 3). But the lessons and realizations is not just facilitated by the aspects of life, of being viable and living. The instances of death also often touch a raw governance among the readers who are affected by the works.Death, e supererogatoryly the death of someone special or important to ones life, is something that everyone experienced or provide soon experience. Fitch has effectively painted the emotions engulfing the person during the time of death, equal the anguish Astrid felt after the death of Claire Richards in White Oleander. enactment of death-related emotions in Paint It Black involving the suicide of Michael and the impact it has on the put up of emotional and mental stability of Josie immediately after the tragedy. It is an analogy of sizable emotions including anger and dislocation something considered as beautifully described by Fitch (Campbell 3).There are also other subplots and aspects of the stories Fitch creates that are constantly present like drug addiction and sex, issues that face many individuals today. It layabout be one of the linchpins that allows readers to relate to the story and to the main characters, like Astrid in White Oleander and Josie in Paint it Black, who tried to cope with emotional prob lems through alcohol and drugs (Boulter 1). It is the same predicament of Astrid and the same predicament of many individuals in todays life.The greatest source of emotional impact that readers can easily detect and relate to is the presence of significant mother-daughter dealing as well as problems (Oktay 256) and the strong role of family in the stories create verbally by Fitch, and with focus as well to the narcissistic tendencies of mothers both in White Oleander and in Paint it Black (Valby 1). It was revealed in the musings of the pass away characters like when Astrid noted how her mother was not herself in the time of the Santa genus Anas (Fitch 1), noting the central role of the mother in the daughters life, not just in White Oleander but also in Paint It Black.In White Oleander, the struggle of Astrid in her emotionally top-heavy relationship with her mother Ingrid, who she still loved in the end, despite how Ingrid inured her when she was young, provides many instance s that many mother-daughter relationships experience. Astrids journey around several(prenominal) rear homes and the perpetual need to be loved, accepted and taken care of is also a perennial emotional issue many individuals struggle with openly or in their accept private recluse. A more malformed or more complex mother-daughter relationship is found in Paint It Black (Campbell 4).In these two stories, several roles of the mother and the daughter and several different situations allow readers to pick points wherein they can relate to, allowing Fitchs fanbase to grow because of this sense of attachment to the characters/story/predicament presented in Fitchs works. In a way, it makes Fitch a catalyst or even a channel for individuals to find someone (even fictional) that they can relate to and share similar experiences with, in the hope that the later realizations can instigate the readers towards certain realizations and closures in their own ain lives and in their own personal s truggles, challenges and problems.There is no doubt that in the analysis of what critics, observers, analysts and even the ordinary individual reader, Janet Fitch is a writer above average. This is because of what she wrote, how she wrote it, how she developed characters, and how these characters and stories harbor the power to influence the emotions of the readers as it reflected real life, real death-related issues and the process and journey towards self discovery and the unfolding of the path for the individual despite what the characters fox undergone in the story, despite Josie couldnt settle anywhere (Fitch 8). It is, in its own way, inspiring the readers and empowering them towards inward personal values that can make them split up individuals and cope better with their own personal challenges like how the characters of Fitch did in the stories, doing in a manner considered as masterful storytelling. Boulter describes Paint It Black as well written (Boutler 4). Ginsberg b elieved that Fitch was able to make an ineradicable literary mark because of her opus White Oleander (Gindsberg 1).Farr discussed in the password about the personal connections the reader has on the different aspects of White Oleander like story and characters and how these affected them and how they reacted to it (Farr 105). Works Cited Boulter, Maryann. Paint It Black Janet Fitch. Nightsandweekends. com. 2006. 16 whitethorn 2009 . Campbell, Karen. Paint It Black is a compelling tale of suicide, memory, and perception. capital of Massachusetts Globe. Globe Newspaper Company. 18 September 2006. 16 May 2009 . De Turenne, Veronique. White Oleander Author Returns with Paint It Black. NPR. 4 October 2006. 16 May 2009